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Post by fivestarloony on Dec 10, 2006 1:27:35 GMT -5
This is still in very rough stages, an any advice/response that can be given would be useful. ^_^;; Warnings: Uh... angsty-ness, implied death? Also, its in a vaguely irish accent in my head, make of that what you will.
Our Complicated Truth
I can't follow, where you've gone to western lands and eastern suns I've searched the hills with all I've got and there's nothing to be found the earth it sings it's mourning song in trilling tones and cawing awe but I am lost in whispered hymns and my voice has lost its strong your footsteps leave a whisper in the misted dunes I'm breathing in the vapours but they're not like the air I'm drowning in the memory of your sea scented hair and warm rice paper hands that touched my face and brushed my own wiry strands I know I'm moving on steps against the gulls harsh cries like a ship being pulled to sea that dim land is far away sequestered in the fading mist I'm drowning in this, our complicated truth, because when I taste the air I know That land's not for me to know as me (We’ve traveled many places, but this is your’s to see) You're gone and I can't follow yet but I will follow, yet.
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Post by jaguar on Dec 21, 2006 19:18:56 GMT -5
this is exceptionally strong. what would it look like (sound like, rather) with regulated lines?
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Post by fivestarloony on Dec 23, 2006 19:33:50 GMT -5
Thank you! Uh, I'm not entirely certain what you mean by regulated lined? Do yo mean if it were in meter or if it were more freestyle? I don't think it would work properly with a specific meter, although I think more attention to breaking it up to freestyle would probably make it smoother. Currently I have end-rhymes in it that look awkward; the "air" ending especially needs work, because it doesn't flow well into the poem except when the "hair" ending is brought in, and it's too much of a jarring disjunction.
Is that what you meant?
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